THEY HAVE WRITTEN OF HE:

Luciano Budigna, Mario Lepore, Dino Buzzati, Adriano De Zan, Ignazio Formino, Garibaldo Marussi, Enrico Contardi, Valerio Mariani, Cesare Russo, Aurelio T. Prete, Guglielmo Gigli, Michele Calabrese, Gino Valori, Elda Fezzi, Gabriella Pompei, Adriano Madaro, Mauro Righini, Lino Lazzari, Gino Magnani, A. Morucci, Alfredo Galliazzo, Franco Cerotto, Carlo Segala, G. Luigi Verzellesi, J. Simeoni Zanollo, Raimondo Meloni, Sebastiano Saglimbeni, Enzo Stanghellini, Ireneo Ghisolfi, Renato Marmiroli, Janine Mataud, Mark Symons, Herman Nudling, Max Fourny, Georges Boudaille, Adalberto Scemma, Rodolfo Arata, Ery Vigorelli, Cesare Russo, Vittoria Magno, Elia Santoro, Vittorio Bottino, Donatella Kalliany, Manfredo Anziani, Mario Cattafesta, Pasquale Calabrese, Giovanni Moschi, Renato Marmiroli, Gino D’Amore, Virgilio Lilli, Ettore Cerutti, Vasco Ferretti, Alberto Zucchetta, Bruno Prosdocimi, Enzo Fagiani, Stefano Ghiberti.

 

Italy has not ended to create of the vanguard artists. Aladino Ghioni, surrealistic, strong painter in its experience, animated from "an open" spirit investigator and from an only taste that its race characterizes, has been dedicated to the painting with of means and an imagination that only belongs to he. It tries to exit from the limits, in order to represent the freedom of images, in one its metaphysical truth of the things and the feelings.

 HERMANN NUDLING

 

E' clearly that a painting like this, beyond to a fantasy saying little triggered, demands a trade how much never agguerrito, that it knows to make to render to the maximum shadings and airframes, design and color, being just to they entrusted rappresentazione of exception, which it is formed of several truths that we could say commiste skillfully to the aim to obtain one surrealtą, exactly. Hour Aladino Ghioni its trade knows it to the point from being able itself to grant every inventive boldness, every possible and impossible event; with it turns out you of a liveliest "game" in which dream and apocalypse they are proposals with the tenacity of the miniaturista and the obsession distressed and exalted of a invasato medioevale poet.

 STEFANO GHIBERTI
 

The works of the painter of the Painter surrealist Aladino Ghioni  are object of much curiosity, argument and an interest that goes beyond many reviews oriented on the thread of the tradition. For someone its works its surrealistic metaphysical world looks at itself clearly. We are in the reign of the fantasy, the dream, the exactly irreali visions and of this reign the single interpreter feels itself. Ghioni is, under the aspect of the color an sensitive and undoubtedly equipped artist. Also in a game of the contrasts it is most skillful and always it is harmonized therefore that the work trasfonde a its fascination that everyone receives to second of its state of mind, lieto or sad that it is.

MARK SYMONS
 

THEY HAVE BEEN TAKEN CARE OF HE between the others, the following newspapers and reviews

Le Arti, Il Narciso, Il Poliedro, Il Cavour, Bis Arte, Arte nella Capitale, Sicurezza Italiana Sociale, Pensiero ed Arte, Il Miliardo, Caput Mundi, Fermenti, La Nazione, Il Messaggero, Il Tempo, Il Giornale di Brescia, La Notte, L’Avvenire d’Italia, Giornale d’Italia, La Via Cattolica, Il Gazzettino, Il Corriere di Roma, Il Telegrafo, Il Piccolo, La Difesa del Popolo, Vita Veronese, Verona Fedele, La Provincia, Messaggero Veneto, Gazzetta di Parma, La voce del Popolo, Veneto Sette, Epoca, Settimana TV, Ciao 2001, Play Men, Grand Hotel, Gente, Grazia, Nuova Cucina, Casa Arredamento Giardino Sperimentale, Selezione Radio-TV di Tecnica, Il Cittadino Canadese, Time, France Soir, Lettres Francaise, Le Medecin du District Parisien, Man Only, Men, Arte di Oggi, Bolaffi Arte, Scena Illustrata, Arte Roma, Gazzetta delle Arti, Panorama, Il Secolo XIX, la Stampa, Gazzetta del Popolo, Oggi, La Gazzetta di Mantova, La Gazzetta di Modena, L’Eco di Bergamo, Modena Flash, Corriere della Sera, La Gazzetta di Ferrara, Il Nuovo Veronese ed altri.

 
 

Aladino Ghioni has rifared more times the Italian and foreign reader with its writing that unmistakably and with dignity s' it inserts in the tradition of the fantascientifico surrealism ` ideologico', that it contains little and authentic artists.

 SEBASTIANO SAGLIMBENI
 

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